Chiba Batman
We saw him on TV the other day, but I thought he was a comedian or tarento. I didn't realize he was just some dude who enjoys dressing up like Batman to drive around on his funky four-wheeler. We see a lot of bikers out here where we live, far from the city center. To me, this Chibatman fella is hardly any different from these bikers, who love hitting the road every chance they get, to blow off steam and enjoy themselves. He just dresses a bit more flamboyantly.
Sunday, August 31, 2014
Friday, August 29, 2014
Nice: Movie academy to honor Belafonte, O'Hara, Miyazaki
Movie academy to honor Belafonte, O'Hara, Miyazaki
There have been many brilliantly inspired filmmakers, but few deserve the often-slung superlative "genius." Hayao Miyazaki is a genius. I came to his films late in my movie-loving life, taking what I considered a chance on Spirited Away when it played in my hometown. I went with my dad, who was then in the stages of Alzheimer's where he could no longer compensate for what he'd lost and was still draining away. He needed help with daily tasks, he'd drift away at times. The man in the mirror was increasingly a stranger. He longer could quite comprehend moving pictures on television. Even televised baseball games were beyond him for the most part, and he was a guy who knew baseball enough to teach it and coach it.
And even in his best years, he'd had this tendency to fall asleep if he sat still for any period of time. We'd go to the movies and he'd nod off about twenty or thirty minutes in and he'd wake up in time for the credits and the ride home. And those were movies he wanted to watch. For something like Spirited Away, which he went to just to hang out with me and get out of the house for a bit, I expected him to have a pleasant afternoon nap.
At about the halfway point, during one of Chihiro's colorful misadventures in Yubaba's bath house, I stole a glance at ol' Dad and saw his eyes glistening in the dark, the images from the screen reflected in the glassy curve of their corneas, the corners of his lips turned up in an ever-so-slight smile. He had the same expression he wore many years before when we all went to Disney World and rode the horse-drawn trolley. That trolley was the only thing that he really enjoyed doing simply for himself that day in the park. Sure, he got a kick out of watching my mom and me do our thing, but being pulled along by a horse spoke to his country heart in a way anthropomorphic mice and ducks never could. That trolley was his thing.
Years and years later, there he was, already on the other side of the initial stages of a disease that wouldn't kill him but instead would hasten his death within two years, watching the work of someone from another culture and it spoke to him. Maybe the colors. Maybe the movements. He wasn't a guy to analyze stories or his enjoyment of them. When the cowboys farted in Blazing Saddles, he responded with laughter. That was the level on which he approached media. So I don't know why Spirited Away kept him awake and pleased when so many other good movies, even ones he enjoyed, rocked him gently to sleep, but it doesn't matter. As much as I'd been enjoying Spirited Away up to that point, seeing his face like that, that pure enjoyment of something for its own sake, was enough to bond me with Miyazaki forever. I still feel I owe him a big thank you for giving my father and me one more moment like that in a life full of little moments and memories.
There's a lifetime achievement award from me to Hayao Miyazaki.
There have been many brilliantly inspired filmmakers, but few deserve the often-slung superlative "genius." Hayao Miyazaki is a genius. I came to his films late in my movie-loving life, taking what I considered a chance on Spirited Away when it played in my hometown. I went with my dad, who was then in the stages of Alzheimer's where he could no longer compensate for what he'd lost and was still draining away. He needed help with daily tasks, he'd drift away at times. The man in the mirror was increasingly a stranger. He longer could quite comprehend moving pictures on television. Even televised baseball games were beyond him for the most part, and he was a guy who knew baseball enough to teach it and coach it.
And even in his best years, he'd had this tendency to fall asleep if he sat still for any period of time. We'd go to the movies and he'd nod off about twenty or thirty minutes in and he'd wake up in time for the credits and the ride home. And those were movies he wanted to watch. For something like Spirited Away, which he went to just to hang out with me and get out of the house for a bit, I expected him to have a pleasant afternoon nap.
At about the halfway point, during one of Chihiro's colorful misadventures in Yubaba's bath house, I stole a glance at ol' Dad and saw his eyes glistening in the dark, the images from the screen reflected in the glassy curve of their corneas, the corners of his lips turned up in an ever-so-slight smile. He had the same expression he wore many years before when we all went to Disney World and rode the horse-drawn trolley. That trolley was the only thing that he really enjoyed doing simply for himself that day in the park. Sure, he got a kick out of watching my mom and me do our thing, but being pulled along by a horse spoke to his country heart in a way anthropomorphic mice and ducks never could. That trolley was his thing.
Years and years later, there he was, already on the other side of the initial stages of a disease that wouldn't kill him but instead would hasten his death within two years, watching the work of someone from another culture and it spoke to him. Maybe the colors. Maybe the movements. He wasn't a guy to analyze stories or his enjoyment of them. When the cowboys farted in Blazing Saddles, he responded with laughter. That was the level on which he approached media. So I don't know why Spirited Away kept him awake and pleased when so many other good movies, even ones he enjoyed, rocked him gently to sleep, but it doesn't matter. As much as I'd been enjoying Spirited Away up to that point, seeing his face like that, that pure enjoyment of something for its own sake, was enough to bond me with Miyazaki forever. I still feel I owe him a big thank you for giving my father and me one more moment like that in a life full of little moments and memories.
There's a lifetime achievement award from me to Hayao Miyazaki.
Thursday, August 28, 2014
Japan's economy stalls as incomes, spending languish
Japan's economy stalls as incomes, spending languish
Did the government here really think at any time people were spending less and hurting the economy because they were hoping things they wanted to buy would cost less later on due to deflation? I want someone to tell me if that truly is the case, as this article states. I have this suspicion people have been spending less and saving more because they're simply tight with their money, planning for retirement, insecure in their jobs, worried about unemployment or economic hardship or generally pessimistic about Japan's future. Or in some cases, they work such long hours they don't have time for recreational spending and simply limit themselves to necessities like rent, utilities and food.
You mean news stories about how the "bubble" popped a generation ago and Japan's economy has never bounced back and all those extra hours of unpaid "overwork" at the office and the paid leave workers are either not allowed to take or can only use one or two days at a time spread throughout the year doesn't put them in the mood to go crazy and lavish themselves and their families with a lot of consumer goods and luxury items?
Splurging means Uniqlo or Seiyu these days.
People did briefly go on a spending spree in anticipation of the consumption tax increase. They were goaded into by news stories leading up to the big change. You know, on the government-operated national television network. They made it seem that way, anyway. Probably in someone's vested interest to do so. Afterwards, people were more like, "Wow, stuff's so expensive now. Better not splurge because we can't really afford it."
It seems every time there's a problem here the solution bandied about consists of "Continue doing what we did before... ONLY HARDER!" If we all just work longer hours and toe the line more firmly then the nation's future is assured!
Did the government here really think at any time people were spending less and hurting the economy because they were hoping things they wanted to buy would cost less later on due to deflation? I want someone to tell me if that truly is the case, as this article states. I have this suspicion people have been spending less and saving more because they're simply tight with their money, planning for retirement, insecure in their jobs, worried about unemployment or economic hardship or generally pessimistic about Japan's future. Or in some cases, they work such long hours they don't have time for recreational spending and simply limit themselves to necessities like rent, utilities and food.
You mean news stories about how the "bubble" popped a generation ago and Japan's economy has never bounced back and all those extra hours of unpaid "overwork" at the office and the paid leave workers are either not allowed to take or can only use one or two days at a time spread throughout the year doesn't put them in the mood to go crazy and lavish themselves and their families with a lot of consumer goods and luxury items?
Splurging means Uniqlo or Seiyu these days.
People did briefly go on a spending spree in anticipation of the consumption tax increase. They were goaded into by news stories leading up to the big change. You know, on the government-operated national television network. They made it seem that way, anyway. Probably in someone's vested interest to do so. Afterwards, people were more like, "Wow, stuff's so expensive now. Better not splurge because we can't really afford it."
It seems every time there's a problem here the solution bandied about consists of "Continue doing what we did before... ONLY HARDER!" If we all just work longer hours and toe the line more firmly then the nation's future is assured!
Ceci n'est pas une chat: Hello Kitty not a cat, has never been: Sanrio
Hello Kitty not a cat, has never been: Sanrio
I find it bizarre the way this concept has been stretched and pretzeled the last couple of days. It's not a difficult concept to understand, but I suppose that's what the Internet is for these days-- discovering some idea that should have been obvious all along and then acting incredulous about it.
All Sanrio is saying is Kitty is not a cat in the sense that Mickey is not a mouse and Goofy is not a dog. They wear these familiar animal shapes not because they're animals, but because animal shapes are appealing, the visual vocabulary of cute cartoony works. Kitty is an anthropomorphic character and we've had those for as long as we've had pop culture. Way back when I was a kid, thousands of years before your grandparents were even introduced via OK Cupid, Aesop did this kind of thing all the time, using animals to illustrate human foibles. I don't remember any of us running around screaming, "Oh my god, a lazy cricket and an industrious ant! A fox who sneers at the grapes he can't reach! I've been lied to!" Eventually, our animal-shaped avatars began wearing clothes and selling merchandise but they've always been us.
Ultimately, what Kitty is... is her own unique self.
A good friend of mine was Sanrio's North American web designer for years so this is big news for her, but only because she also doesn't get the furor over something that should have been obvious all along and really isn't difficult to understand at all. Still, I'm pretty sure she's happy so many people are talking about Hello Kitty.
I find it bizarre the way this concept has been stretched and pretzeled the last couple of days. It's not a difficult concept to understand, but I suppose that's what the Internet is for these days-- discovering some idea that should have been obvious all along and then acting incredulous about it.
All Sanrio is saying is Kitty is not a cat in the sense that Mickey is not a mouse and Goofy is not a dog. They wear these familiar animal shapes not because they're animals, but because animal shapes are appealing, the visual vocabulary of cute cartoony works. Kitty is an anthropomorphic character and we've had those for as long as we've had pop culture. Way back when I was a kid, thousands of years before your grandparents were even introduced via OK Cupid, Aesop did this kind of thing all the time, using animals to illustrate human foibles. I don't remember any of us running around screaming, "Oh my god, a lazy cricket and an industrious ant! A fox who sneers at the grapes he can't reach! I've been lied to!" Eventually, our animal-shaped avatars began wearing clothes and selling merchandise but they've always been us.
Ultimately, what Kitty is... is her own unique self.
A good friend of mine was Sanrio's North American web designer for years so this is big news for her, but only because she also doesn't get the furor over something that should have been obvious all along and really isn't difficult to understand at all. Still, I'm pretty sure she's happy so many people are talking about Hello Kitty.
Wednesday, August 27, 2014
I ain't got the faintest idea what this is: Babymetal plot world domination with Lolita rock
Babymetal plot world domination with Lolita rock
But you know, I have to pontificate on it from within my fortress of ignorance like some kind of idiot king. I've heard stirrings about Babymetal, but until now I could just turn away. Every morning when I hit work, I check out this stuff on Japan Today-- which seems to draw a great portion of its content from RocketNews24-- because I want to know what's happening in my adopted home country and some of the articles prove useful for our upper level English Club activities. And the Japan Times website puts a limit on how much you can read before you have to pay for it. Screw that.
Thanks to this little daily ritual Babymetal leaped into my consciousness this morning because Japan Today's story about them is one of the most popular right now. So I read about Babymetal. And I learned Babymetal is a trio of junior high girls who mesh Lolita style with heavy metal for some reason. Their names are Su-Metal (she gets the most quotes in the article), Yuimetal and Moametal. They have a hit single titled "Gimme Chocolate," which continues the continuity of Japanese female rockers and singers singing about food and candy, a tradition stretching as far back as Shonen Knife's early days, which then jumped the Pacific along with Miho Hatori and Yuka Honda of Cibo Matto fame, and eventually returned to Japan and mutated into Kyary Pamyu Pamyu.
My first thought as I plunged into the article was these girls are some of those musical prodigies you hear about from time to time, or see in viral videos on YouTube. You know, the 9-year-old who can play the drum parts to Rush's "Tom Sawyer," or the kid with the four-octave voice who wows the usually heartless judges on some televised talent contest in Europe. Just some friends taking music lessons who bonded over a mutual love of heavy metal and had connections somewhere.
Actually, from what I gathered via the article and a quick visit to Wikipedia just now, Babymetal is a manufactured group concept and the three girls have been kicking around the Japanese music scene in various junior idol singing groups for a few years now. They don't play instruments as far as I can tell. But at least merging two apparently diametrically-opposed ideas is fresher than simply cloning AKB48 or Perfume with children and dumping some wan pop song theme from an anime series on the charts for the ten thousandth time. It may all be a carefully orchestrated ploy by a talent agency to make a few yen, but the girls' seeming devotion to metal gods and thrill at meeting Metallica reminds me of Electric Eel Shock, a legitimate hard rocking group who have been upholding the banner of pure rock for a number of years now. And that's not a bad thing, either.
I'm a rock person myself and if Babymetal can act as a gateway for an infusion of new fans who go on to discover the power and glory of good, honest guitar-based rock music, then I'm all for it. Not enough to buy a CD, but from the periphery, as a casual observer.
But you know, I have to pontificate on it from within my fortress of ignorance like some kind of idiot king. I've heard stirrings about Babymetal, but until now I could just turn away. Every morning when I hit work, I check out this stuff on Japan Today-- which seems to draw a great portion of its content from RocketNews24-- because I want to know what's happening in my adopted home country and some of the articles prove useful for our upper level English Club activities. And the Japan Times website puts a limit on how much you can read before you have to pay for it. Screw that.
Thanks to this little daily ritual Babymetal leaped into my consciousness this morning because Japan Today's story about them is one of the most popular right now. So I read about Babymetal. And I learned Babymetal is a trio of junior high girls who mesh Lolita style with heavy metal for some reason. Their names are Su-Metal (she gets the most quotes in the article), Yuimetal and Moametal. They have a hit single titled "Gimme Chocolate," which continues the continuity of Japanese female rockers and singers singing about food and candy, a tradition stretching as far back as Shonen Knife's early days, which then jumped the Pacific along with Miho Hatori and Yuka Honda of Cibo Matto fame, and eventually returned to Japan and mutated into Kyary Pamyu Pamyu.
My first thought as I plunged into the article was these girls are some of those musical prodigies you hear about from time to time, or see in viral videos on YouTube. You know, the 9-year-old who can play the drum parts to Rush's "Tom Sawyer," or the kid with the four-octave voice who wows the usually heartless judges on some televised talent contest in Europe. Just some friends taking music lessons who bonded over a mutual love of heavy metal and had connections somewhere.
Actually, from what I gathered via the article and a quick visit to Wikipedia just now, Babymetal is a manufactured group concept and the three girls have been kicking around the Japanese music scene in various junior idol singing groups for a few years now. They don't play instruments as far as I can tell. But at least merging two apparently diametrically-opposed ideas is fresher than simply cloning AKB48 or Perfume with children and dumping some wan pop song theme from an anime series on the charts for the ten thousandth time. It may all be a carefully orchestrated ploy by a talent agency to make a few yen, but the girls' seeming devotion to metal gods and thrill at meeting Metallica reminds me of Electric Eel Shock, a legitimate hard rocking group who have been upholding the banner of pure rock for a number of years now. And that's not a bad thing, either.
I'm a rock person myself and if Babymetal can act as a gateway for an infusion of new fans who go on to discover the power and glory of good, honest guitar-based rock music, then I'm all for it. Not enough to buy a CD, but from the periphery, as a casual observer.
Tuesday, August 26, 2014
At last, a real life superhero who is actually useful: Cleaning up the streets
Cleaning up the streets
Mangetsu-man turned up in Tokyo to help clean a bridge in Nihonbashi. Who is Mangetsu-man? I don:t know, but he has a big, round head like a yellow moon and a purple cape. He sweeps and cleans the streets with a broom and a dustpan, so I count myself among his fans. He wasn't the only one. Some helpful civilians also turned out. I am a fan of those people, too.
I go to Nihonbashi occasionally in search of American comic books. There's a nice little shop there called Blister that sells them, plus imported toys. It seems a fairly quiet place with a few restaurants and a number of office buildings. I'm not sure what its main focus is. You know, Shibuya is for shopping, Shinjuku is for fun, Akihabara is for AKB48 and geeky interests.
The next time I go to Nihonbashi, I'll keep an eye out for Mangetsu-man and his anti-garbage crusaders.
Mangetsu-man turned up in Tokyo to help clean a bridge in Nihonbashi. Who is Mangetsu-man? I don:t know, but he has a big, round head like a yellow moon and a purple cape. He sweeps and cleans the streets with a broom and a dustpan, so I count myself among his fans. He wasn't the only one. Some helpful civilians also turned out. I am a fan of those people, too.
I go to Nihonbashi occasionally in search of American comic books. There's a nice little shop there called Blister that sells them, plus imported toys. It seems a fairly quiet place with a few restaurants and a number of office buildings. I'm not sure what its main focus is. You know, Shibuya is for shopping, Shinjuku is for fun, Akihabara is for AKB48 and geeky interests.
The next time I go to Nihonbashi, I'll keep an eye out for Mangetsu-man and his anti-garbage crusaders.
Monday, August 25, 2014
How would you rate the quality of Japanese restaurants in your native country (if you are not from Japan)?
How would you rate the quality of Japanese restaurants in your native country (if you are not from Japan)?
Most of the "Japanese" restaurants where I'm from in the United States don't really offer what I consider Japanese cuisine. Their fare is delicious, but just putting teriyaki sauce on grilled beef or chicken chunks doesn't make your dish Japanese. Then there's the traditional American "Japanese steakhouse" with the dude putting on a wild show tossing meat and eggs and vegetables around with knives and spatulas on the grilling surface right there at your table. That's always fun, the results are usually pretty tasty, but I haven't found any places here in Japan that do that. They may exist. I simply haven't seen one, nor have I heard of one in my admittedly limited experience. I've asked friends and acquaintances here and they usually just say something along the lines of, "Sounds great! I'd love to go to one of those!" One buffet restaurant advertising itself as Japanese served the same stuff you find at many Chinese buffet restaurants, including french fries, pizza and Americanized sushi. All reasonable edible, but not really what I'd consider Japanese. I think it's out of business now anyway. Out of those I've been to, I'd rate the food quality as adequate, but the Japanese dining experience and authenticity of cuisine as sub-par.
But I have eaten some decent sushi in Georgia, or at least sushi comparable in quality to what I've had in Japan. At conveyer belt chains and in supermarkets, that is. Not at the high quality sushi or sashimi restaurants we've dined at in Japan, though. In fact, there's even a conveyer belt sushi restaurant in Tokyo Station where the taste tops anything I've eaten in Georgia. But if you want something approaching an authentic Japanese dining experience with decent-to-quite good sushi, you can find it Atlanta, Athens and even at one particular restaurant in poor, little, Japanese-food deprived Albany, Georgia. But if there are restaurants in the United States that can match or top the "real deal" or even that station sushi place, I haven't been to one. Maybe they're in cities outside Georgia. New York, Los Angeles, San Francisco or Seattle, places like that. Of the several sushi restaurants back home I've eaten at, I'd rate the food quality as adequate to above average and the Japanese dining experience and authenticity of cuisine roughly the same.
That is, if you don't order simply the California rolls. You can get those in Japan, but most of the people I've talked sushi with think they're a bit amusing.
Most of the "Japanese" restaurants where I'm from in the United States don't really offer what I consider Japanese cuisine. Their fare is delicious, but just putting teriyaki sauce on grilled beef or chicken chunks doesn't make your dish Japanese. Then there's the traditional American "Japanese steakhouse" with the dude putting on a wild show tossing meat and eggs and vegetables around with knives and spatulas on the grilling surface right there at your table. That's always fun, the results are usually pretty tasty, but I haven't found any places here in Japan that do that. They may exist. I simply haven't seen one, nor have I heard of one in my admittedly limited experience. I've asked friends and acquaintances here and they usually just say something along the lines of, "Sounds great! I'd love to go to one of those!" One buffet restaurant advertising itself as Japanese served the same stuff you find at many Chinese buffet restaurants, including french fries, pizza and Americanized sushi. All reasonable edible, but not really what I'd consider Japanese. I think it's out of business now anyway. Out of those I've been to, I'd rate the food quality as adequate, but the Japanese dining experience and authenticity of cuisine as sub-par.
But I have eaten some decent sushi in Georgia, or at least sushi comparable in quality to what I've had in Japan. At conveyer belt chains and in supermarkets, that is. Not at the high quality sushi or sashimi restaurants we've dined at in Japan, though. In fact, there's even a conveyer belt sushi restaurant in Tokyo Station where the taste tops anything I've eaten in Georgia. But if you want something approaching an authentic Japanese dining experience with decent-to-quite good sushi, you can find it Atlanta, Athens and even at one particular restaurant in poor, little, Japanese-food deprived Albany, Georgia. But if there are restaurants in the United States that can match or top the "real deal" or even that station sushi place, I haven't been to one. Maybe they're in cities outside Georgia. New York, Los Angeles, San Francisco or Seattle, places like that. Of the several sushi restaurants back home I've eaten at, I'd rate the food quality as adequate to above average and the Japanese dining experience and authenticity of cuisine roughly the same.
That is, if you don't order simply the California rolls. You can get those in Japan, but most of the people I've talked sushi with think they're a bit amusing.
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